The challenges of capturing your Alaskan story A line of folks leaned against the cruise ship railing, staring toward Harvard Glacier. An all-day blanket of fog and drizzle had dissolved; shafts of sun cast the glacier, the surrounding mountains, the water, even the air itself in magical, silver-tinged tones—the sort of scene that would stop anyone in their tracks. You could practically hear a whispered, collective wow hanging over the fjord. Naturally, pretty much everyone in the crowd held cameras—mostly cell phones and compacts, with a few advanced amateur and pro-grade rigs mixed in. Some took careless-seeming, rapid-fire snapshots; others worked on selfies and group stuff with the glacier as a backdrop; a few studied the scene, composed careful images, then stood, lips pursed, staring into their screens, then tried again. And again. I didn’t have to peer over shoulders to know that the more serious photographers were struggling to…
Right place, wrong attitude I stood on the walkway over Steep Creek, in the shadow of the Mendenhall Glacier. A popular spot for Juneau locals and visitors alike. This late summer afternoon, sockeye salmon finned in the clear shallows, flashing their deep red spawning colors; a bald eagle perched in a spruce, framed by the autumn-tinged slopes of Mount McGinnis: the whole scene a giant, living postcard. I gazed out, feeling my pulse and breathing slow to match my surroundings. An incoming clump-clump of footsteps signaled an end to my moment alone. No big shock. After all, the bus-packed parking lot for the Glacier Visitor Center lay just a hundred yards away. Amazing, I told myself, that this little chunk of country could absorb so much traffic, day in and out, and stay this good. “Where are the bears?” A New Jersey voice in the crowd demanded. “They said…
Loss beyond years and miles I’ve just checked my box at the Ambler post office on a mid-August afternoon; Sarah Tickett might have smiled and handed me my mail; instead, it’s someone else. Just across the trail stands Nelson and Edna Greist’s plywood cabin. The door is open, an armload of wood on the stoop; a familiar, fireweed-framed clutter fills the yard. But there’s no sign of Nelson sitting in his spot to the right of the door, working on a piece of spruce or jade; no huge, squinting, gap-toothed smile as he invites me in with his signature “Gonna coffee!” and he and Edna welcome me like a long-lost relative; no Inupiaq legends or tales of his youth, living from the land in the wind-raked Killik River country, his family sometimes on the edge of survival. Another couple hundred yards toward my place on the downstream edge…
An Arctic Miracle on Hold Seth Kantner and I sat, leaning into our binoculars. The sandy knoll commanded a huge sweep of autumn-bright country—rolling tundra banded with willow and spruce, framed by the ragged, snow-dusted heave of the western Brooks Range. Working near to far, we scanned each crease and hummock, studied clumps of brush and jumbles of rock, searching the blue-tinted distance for shimmers of movement, anything that stood out or reflected light a bit differently. This place was far more than a fine view in a landscape defined by countless others. Half a lifetime had passed since I’d first looked out from this crest, and I’d returned more times than I could count. Seth’s attachment lay deeper still. He’d been born just a few miles to the east and knew this place from childhood. Each of us, together and alone, and in varying company, had spent time here…
Nick Jans remembers Romeo, a wolf that lived near Juneau and captured the community’s heart by interacting with people’s pet dogs.
Nick Jans on what it’s like to be a snowbird who splits his time between Florida and Alaska.
Nick Jans has observed a new breed of wilderness traveler, one that relies on technology he couldn’t dream of 40 years ago.
From charters to luxury lodges to do-it-yourself backcountry excursions, options abound for anglers in Alaska.
Nick Jans writes that The Darkness, capitalized, is what defines winter in the far north. Combined with extreme cold, it can be soul-crushing.
Nick Jans remembers taking photos of caribou bulls in the Kobuk River 23 years ago, before digital photography. Did he get the shot?