I’m “whale challenged.” Allow me to explain. Though I’ve photographed numerous whales of all species—and even pet a few friendly gray whales in Baja—most of the time, I have zero idea what I’m looking at when I see them.
There are many places to get a great shot of the highest mountain in North America—and not all of them are in Denali National Park. On a clear day, you can spot the towering snow-capped dome from Anchorage. Talkeetna affords a backside view along a picturesque river. Flightseeing provides exceptional close-ups. But going to the park delivers some choice locations for creative composition.
Sometimes you get lucky, and that winning photo practically takes itself. Other times you have to work for it, angling for the best composition or waiting for perfect lighting. Either way, photographers create art that captures the viewer’s eye—and sometimes their heart, as is the casewith our grand prize winner. What we always look for when selecting finalists and then winning images from this contest is, first and foremost, an emotional reaction: Does the picture make us think Wow!? If so, then we look at technical merit such as whether the image is in focus, has a pleasing or surprising composition, or is overprocessed. Blurry, ho-hum, or fake coloring all get an automatic pass. While we appreciate those rare times when every aspect of a scene synchronizes and the photographer is paying attention enough to capture it on the fly, we know the thoughtfulness, time, and attention to detailit requires…
Good riddance to the days of film Very few people are nostalgic for the old days of photo processing: the interminable wait to see if you got even one decent image on a roll of 36 frames of film, the abject disappointment if you failed to, and the cost of prints and slides. If you had your own darkroom or worked in one, the routine included agitating film canisters by hand, mixing smelly chemicals, wielding tongs and washing trays, and the constant fear of light leaks. Wild horses couldn’t drag me back to those times, but I did have some interesting photo lab jobs over the years. My first was in a small Wasilla-based business. During that time, I also volunteered at a horse boarding stable and had lightly frostbitten my fingertips while wearing damp gloves. I quickly learned that peeling fingertips from winter’s nip does not go well with…
How they came to be by Jonathan B. Jarvis & T. Destry Jarvis The following excerpts from National Parks Forever: Fifty Years of Fighting and a Case for Independence (2022, University of Chicago Press), by Jonathan B. Jarvis and T. Destry Jarvis, are shared with permission. They are taken from chapter 2, “Alaska: Doing it Right the First Time.” Jonathan Jarvis was director of the National Park Service from 2009-2017. His brother, Destry, has worked in lands conservation for decades. While traveling thirty miles to another creek or valley in Virginia was an adventure, we vicariously visited wild country through the writings of Zane Grey, Sigurd Olson, and Wallace Stegner. We traveled west with Ward Bond on “Wagon Train” and experienced nature up close with Walt Disney. But Alaska called to us as the ultimate adventure. Little did we know that, one day, we would have the opportunity to not…
Make one-of-a-kind creations During the second pandemic winter, I began dabbling in a new hobby: photo painting. It goes by many names—digital painting, digital photo art, mixed media, etc. Rather than simply enhancing the original image using the usual settings like brightness, highlights and shadows, or color saturation, photo painting creates an entirely new piece of art. There are apps for transforming your photos into pieces that resemble, for example, a Renaissance painting or a watercolor or a vintage illustration, but since I was only tinkering for my own pleasure one long, dark, December evening, I didn’t bother finding new software or reading up on technique. In fact, I stumbled upon this pastime by accident. Reviewing folders of images from the fall, I opened a slightly blurry mid-October image of some dead leaves with river water rushing by in the background, a downright dull picture. For kicks, I tried the…
Talent, technology, and the creative spirit One of the best things about producing Alaska magazine is the opportunity to work with such a dynamic, talented team. I’d like to welcome two new members who’ve recently joined: Corrynn Cochran as digital content editor, and Tim Lydon as assistant editor. Readers might recognize Corrynn’s name from her former stint here as photo editor; she brings a wealth of energy and skills to our online presence. Tim is a journalist and public lands advocate who’s written for us before and now compiles The Cache section. It’s always good to have new ideas flowing and fresh perspectives on the magazine and our great state. This photography-themed issue includes the winners of our 2022 photo contest as well as a how-to article on choosing the right photo tour, a feature on macrophotography, a piece on how to have fun with photo editing, and more on…
Congratulations to our 2022 photo contest winners. Each image tells a story or captures a slice of Alaska’s unique beauty, adventure, or way of life. This year, we’ve included photographers’ Instagram names so you can follow them online to see even more of their explorations around Alaska and beyond. We hope you enjoy these colorful images from around the Great Land. Grand Prize Winner JENNIFER SMITH @jfogle02 Look for this image on the cover of our February Issue of Alaska Magazine. Categories Alaska Life: Representing Alaskans and/or their way of life, traditions, culture, or authentic “only in Alaska” moments. CLOSE-UPS: Showing the close-up details of anything Alaskan, from nature to people to urban constructs. Scenic: Emphasizing the landscape and scenery of Alaska with or without the human element. Wildlife: Animals native to Alaska (not in captivity). Alaska Life 1st Place JILLIAN BLUM @jillian.blum 2nd Place DAVID NEEL @akwildphoto 3rd Place…
Who has the right to view a wild animal? And is sharing the location of wildlife detrimental or beneficial?
For several years, Jimmy Tohill got to witness a great horned owl family that nested in the forest near his home.
